Here’s the assignment for Day 7:
- Prompt: fingers
- Form: prose poetry
- Device: assonance
A prose poem is any piece of verse written using the normal typography of prose, while still maintaining elements of poetry, like rhythm, imagery, etc.
The words may be arranged typographically like any piece of prose, but the sounds, the rhythms, and the imagery all pull us in the direction of poetry.
Since you can’t use the page (or screen) the same way you do with regular verse — you simply write to the end of each line — the power of the language needs to come through via other channels: repetition, well-chosen consonants, striking similes and metaphors, or any other device you feel might tip the scale toward poetry.
the strategic repetition of vowels in close proximity to each other.
I can’t document why I wrote about this topic because it came to me unawares, as so often happens when I read or think about something, then leave it to percolate while I move on to something else.
But here’s an interesting aside: As a result of this course, I’m beginning to think sometimes in rhyming couplets. I thought prose poetry would be relatively easy to write because of the lack of constricting form. But the rhyming couplets keep coming out to play, making the writing sound more like traditional poetry than prose poetry.
This photo album in my lap contains memories from times past. As my fingers turn the pages I focus on the faces of those whom I’ll never see again anywhere but here.
My father is here. The fading photos mirror my fading memories of someone who died just before I turned twelve. The earliest photos, from before I was born, show him happy, handsome in his Navy uniform. Then a few show him holding me, a tiny baby. In several more I’m two or three. My father appears in only black and white, the fate of someone who died before the common use of color photography.
Grandma T., who helped raise me, is here as well. In black and white she and Grandpa stand outside the farmhouse in upstate New York, where I spent the happiest two years of my childhood life. Grandpa died early, but Grandma lived long enough to appear in color before she disappears.
My in-laws are here, too, the ones who showed me that marriage could be a bond forged in loving harmony. Their love and acceptance shaped the adult this adolescent me grew up to be and altered my view of family. They’re preserved in color photography.
And friends appear here. Anne and Frayne, the two who, for me, remain the touchstone of my definition of friend. Both lost within ten months, but here, in color, they continue to smile at me.
My fingers close this book of the people who’ve turned my world from black and white into colorful remembrances of life.