Film Review: “Still Mine”

‘Still Mine’ Adds to Movies on Aging

Paula Span reviews this new film:

Not long ago, I could name the really excellent recent movies about aging on one hand. Now I’m running short of fingers, which I hope reflects filmmakers’ dawning recognition of the way this global demographic shift affects all our lives. The latest entry, a Canadian movie called “Still Mine,” opened in New York, Washington, Phoenix and several other cities last month and will arrive in Denver, Atlanta, Seattle, Charlotte and more locations today.

And, just as rain is the standard symbol for Seattle, dementia has become a standard trope for aging:

Interesting, isn’t it, how many of the best films about aging zero in on dementia? On my personal favorites list (adding “Still Mine” to “Amour,” “The Iron Lady,” “Iris,” “The Savages,” “Away from Her” and “About Schmidt”), all but the last incorporate a central character suffering from this disease. Screenwriters, and novelists like Walter Mosley and Alice LaPlante, can’t seem to resist its intrinsic here-but-not-here drama.

“Still Mine” is clear-eyed about this phase, not nearly as brutal as the masterful “Amour,” but more grounded than “The Best Exotic Marigold Hotel” and “Quartet,” both of which featured charming British actors in fluffy screenplays that carefully evaded most realities of advanced age.

This film doesn’t, but it is gentle, more gentle than life can be.

 

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